Couple of accessories have actually aroused such commentary, for and versus, than the flower crown, so stylish of late among the neo-hippie celebration crowd. Despite critics, these decorative headpieces, whose history in folklore and art can be traced back to ancient civilizations, show no indications of fading from favor.
It's a look that has roots. In agrarian societies, tied to the land and the seasons, flower crowns had terrific symbolic meaning. Used for ceremonial and useful reasons, they might illustrate status and achievement (see Olympic olive wreaths). The language of flowersand herbs was widely known, with each bring its own meaning. ("There's rosemary, that's for remembering. Please remember, love. And there are pansies, they're for ideas," says Ophelia in Hamlet.) Filled with significance, floral headdresses were woven into the sartorial and social traditions of locations as far-off as Russia and Hawaii.
With increasing industrialization, the flower crown ended up being a romantic sign of the easy "country" life (wished for, in an elegant version, by Marie Antoinette) and increasingly valued for its ornamental value. While bride-to-bes continued the ceremonial customs of flower-wearing, it was the earth-mother hippies who have most affected the accessory's existing incarnation. Discovering themselves partying rather than raking, these flower children would truss their slept-in hair with wildflowers to represent their connection to nature.
In this contact form still more recent years, the flowers have even taken a subversive turn on the runways, with Rodarte designers Kate and Laura Mulleavy adorning designs with burnished coronets and cast-metal petals-- and unleashing a fresh wave of flower mania among the style flock at the same time. In honor of the summer solstice, an inspiring appearance back at flower crowns throughout history.
In agrarian societies, tied to the land and the seasons, flower crowns had terrific symbolic significance. With increasing industrialization, the flower crown became a romantic indication of the simple "nation" life (longed for, in a stylized variation, by Marie Antoinette) and significantly appreciated for its ornamental value. Discovering themselves partying rather than plowing, these flower children would truss their slept-in hair with wildflowers to symbolize their connection to nature.